Saturday, 4 February 2017
Tuesday, 31 January 2017
Mark scheme
Film Title: CONNECT FOUR
high band 3, 47 marks.
It was original and the titles were unique and were clear and with high clarity. There was controlled camera work shown and good editing - creating a well finished piece.
The setting and characters fitted nicely into the theme.
Film title: DOUBLED
middle band 3, 42 marks
The story line was good, but not the most original, quite generic. The sound track fitted with the genre and theme well.
The camera work was slightly shaky but overall well done.
Level 1 0–23 marks The work for the main task is possibly incomplete. There is minimal evidence in the work of the creative use of any relevant technical skills such as:
• Producing material appropriate for the target audience and task;
• using titles appropriately according to institutional conventions;
• using sound with images and editing appropriately for the task set;
• shooting material appropriate to the task set; including controlled use of the camera, attention to framing, variety of shot distance and close attention to mise-en-scene;
• using editing so that meaning is apparent to the viewer and making selective and appropriate use of shot transitions and other effects.
Level 2 24–35 marks There is evidence of a basic level of ability in the creative use of some of the following technical skills:
• Producing material appropriate for the target audience and task;
• using titles appropriately according to institutional conventions;
• using sound with images and editing appropriately for the task set;
• shooting material appropriate to the task set;, including controlled use of the camera, attention to framing, variety of shot distance and close attention to mise-en-scene;
• using editing so that meaning is apparent to the viewer and making selective and appropriate use of shot transitions and other effects.
Level 3 36–47 marks There is evidence of proficiency in the creative use of many of the following technical skills:
• Producing material appropriate for the target audience and task;
• using titles appropriately according to institutional conventions;
• using sound with images and editing appropriately for the task set;
• shooting material appropriate to the task set; including controlled use of the camera, attention to framing, variety of shot distance and close attention to mise-en-scene;
• using editing so that meaning is apparent to the viewer and making selective and appropriate use of shot transitions and other effects.
Level 4 48–60 marksThere is evidence of excellence in the creative use of most of the following technical skills:
• material appropriate for the target audience and task;
• using titles appropriately according to institutional conventions;
• using sound with images and editing appropriately for the task set;
• shooting material appropriate to the task set;including controlled use of the camera, attention to framing, variety of shot distance and close attention to mise-en-scene;
• using editing so that meaning is apparent to the viewer and making selective and appropriate use of shot transitions and other effects.
high band 3, 47 marks.
It was original and the titles were unique and were clear and with high clarity. There was controlled camera work shown and good editing - creating a well finished piece.
The setting and characters fitted nicely into the theme.
Film title: DOUBLED
middle band 3, 42 marks
The story line was good, but not the most original, quite generic. The sound track fitted with the genre and theme well.
The camera work was slightly shaky but overall well done.
Level 1 0–23 marks The work for the main task is possibly incomplete. There is minimal evidence in the work of the creative use of any relevant technical skills such as:
• Producing material appropriate for the target audience and task;
• using titles appropriately according to institutional conventions;
• using sound with images and editing appropriately for the task set;
• shooting material appropriate to the task set; including controlled use of the camera, attention to framing, variety of shot distance and close attention to mise-en-scene;
• using editing so that meaning is apparent to the viewer and making selective and appropriate use of shot transitions and other effects.
Level 2 24–35 marks There is evidence of a basic level of ability in the creative use of some of the following technical skills:
• Producing material appropriate for the target audience and task;
• using titles appropriately according to institutional conventions;
• using sound with images and editing appropriately for the task set;
• shooting material appropriate to the task set;, including controlled use of the camera, attention to framing, variety of shot distance and close attention to mise-en-scene;
• using editing so that meaning is apparent to the viewer and making selective and appropriate use of shot transitions and other effects.
Level 3 36–47 marks There is evidence of proficiency in the creative use of many of the following technical skills:
• Producing material appropriate for the target audience and task;
• using titles appropriately according to institutional conventions;
• using sound with images and editing appropriately for the task set;
• shooting material appropriate to the task set; including controlled use of the camera, attention to framing, variety of shot distance and close attention to mise-en-scene;
• using editing so that meaning is apparent to the viewer and making selective and appropriate use of shot transitions and other effects.
Level 4 48–60 marksThere is evidence of excellence in the creative use of most of the following technical skills:
• material appropriate for the target audience and task;
• using titles appropriately according to institutional conventions;
• using sound with images and editing appropriately for the task set;
• shooting material appropriate to the task set;including controlled use of the camera, attention to framing, variety of shot distance and close attention to mise-en-scene;
• using editing so that meaning is apparent to the viewer and making selective and appropriate use of shot transitions and other effects.
Audience - Primary and secondary
There are two types of audiences when considering the target audience for the type of film we wanted to create- primary and secondary. Our target primary audience is the age range between 15-23 both boys and girls. This is because our genre is 'teen drama' so we wanted our target audience to be able to relate to our characters and narrative. Our target audience would become aware of our film 'Untamed' through the different forms of advertisement such as: on Twitter, our website, billboards and bus advertisements. A possible secondary audience would be the parents of the teenagers that would be watching Untamed. This is because they may see the film on the television while their child is watching it and sit down with them. This film might appeal to the parents because they may be able to relate to the character, Carol and the disagreements she has with her daughter, Aubrey.
How to improve our first draft
This is a list of factors which we need to do in order to improve our film sequence:
- Put a colour filter over the moving opening
- Alter the lighting in some scenes to make it more consistent
- Edit the titles so they show up for the same amount of time
- Put a colour filter over the moving opening
- Alter the lighting in some scenes to make it more consistent
- Edit the titles so they show up for the same amount of time
Shot List
Night Time Productions- 0:00- 0:08
Wide Shot of Aubrey - 0:08-0:11
Tracking behind shot of Aubrey- 0:11- 0:15
Tracking behind shot of Aubrey 2- 0:15-0:18
Close shot of Aubrey's face, UNTAMED title- 0:18-0:26
Tracking shot of behind Aubrey walking- 0:26-0:29
Tracking shot of side of Aubrey walking- 0:29- 0:37
Panning behind shot of Aubrey walking to front door- 0:37-0:39
Still Side shot of Aubrey dropping bottle in bush- 0:39- 0:41
Close up shot of Aubrey unlocking door- 0:42-0:48
Aubrey walking in door from behind (exterior)- 0:48-0:49
Aubrey walking into house from front (Interior)- 0:49- 0:52
Side shot of Caroline looking up at Aubrey- 0:52-0:52
Tracking shot of Aubrey looking around house- 0:52-0:55
eye level mid long shot Aubrey talks to Caroline- 0:55- 0:57
Still right mid shot of Caroline- 0:57-0:58
LS left track of Aubrey walking to sofa- 0:58- 1:01
MLS front of Aubrey sitting on sofa- 1:01-1:02
Over shoulder shot of Caroline- 1:02-1:03
MS of Aubrey- 1:04-1:05
Long over shoulder shot of Aubrey- 1:05-1:08
MS of Carol- 1:08-1:10
High MS of Aubrey- 1:10-1:10
MS of Carol- 1:11-1:12
LS of Aubrey standing up- 1:12-1:14
Tracking shot of Aubrey walking away- 1:14-1:15
Tracking shot of Caroline walking after her- 1:15-1:17
Tracking shot of Caroline chasing Aubrey up stairs- 1:17-1:18
side MS of Aubrey and Caroline on stairs- 1:18-1:21
Over shoulder MLS shot of Aubrey- 1:21-1:22
Over shoulder MLS shot of Caroline- 1:22-1:25
LS of Aubrey-1:25-1:26
Over shoulder shot of Caroline- 1:26-1:26
Over shoulder shot of Aubrey running up stairs- 1:26- 1:31
Tracking shot of Aubrey walking into bedroom- 1:31- 1:33
Tracking shot of Aubrey packing- 1:33-1:34
High shot of Aubrey packing- 1:33- 1:38
tracking shot of Aubrey- 1:38-1:41
Tracking shot of Aubrey- 1:41- 1:44
Tracking MS of Aubrey running our door- 1:44-46
Tracking high shot of Aubrey running down stairs- 1:46-1:49
Tracking shot of Aubrey putting on shoes and running out door- 1:49-1:52
Tracking behind shot of Aubrey running on road (exterior)- 1:52-1:53
Behind tracking shot of Aubrey running on road- 1:53-1:57
Front tracking Close up shot of Aubrey running- 1:57-1:59
Long shot to Aubrey running- 1:59-2:01
Long behind shot of Aubrey running- 2:01- 2:03
Side mid shot of Aubrey stopping at gate- 2:02-2:04
BCU of Aubrey's face- 2:04- 2:06
Black screen- 2:06- 2:09
Titles
A CONNELL PRODUCTION
HOLLY CONNELL
ANNEKA WILLIAMSON
KATIE DUNNING
UNTAMED
JODIE PETERS
CHARLOTTE ELLIS
AARON ELLWOOD
HARRY FOORD
ELISE BECKETT
CASTING BY OLIVIA TUCKER
MUSIC BY ISABELLE MCCABE
MUSIC SUPERVISOR LISA WISEMAN
COSTUME DESIGNER SHONA EKINS
EDITOR LUCY HOCART
PRODUCTION DESIGNER EMILY SPENCER
DIRECTOR OF PHOTOGRAPHY RICHARD SMITH
EXECUTIVE PRODUCERS NICOLE ROBINSON
SHANE WILLIAMS
PRODUCED BY PETER RODGERS
JORDAN WHITEHEAD
CAROLINE MARDEN
SCREENPLAY BY MILES PETERSON
LIA MARSHALL
DANA HAROLD
DIRECTED BY KEITH BRUSSELL
Tracking behind shot of Aubrey- 0:11- 0:15
Tracking behind shot of Aubrey 2- 0:15-0:18
Close shot of Aubrey's face, UNTAMED title- 0:18-0:26
Tracking shot of behind Aubrey walking- 0:26-0:29
Tracking shot of side of Aubrey walking- 0:29- 0:37
Panning behind shot of Aubrey walking to front door- 0:37-0:39
Still Side shot of Aubrey dropping bottle in bush- 0:39- 0:41
Close up shot of Aubrey unlocking door- 0:42-0:48
Aubrey walking in door from behind (exterior)- 0:48-0:49
Aubrey walking into house from front (Interior)- 0:49- 0:52
Side shot of Caroline looking up at Aubrey- 0:52-0:52
Tracking shot of Aubrey looking around house- 0:52-0:55
eye level mid long shot Aubrey talks to Caroline- 0:55- 0:57
Still right mid shot of Caroline- 0:57-0:58
LS left track of Aubrey walking to sofa- 0:58- 1:01
MLS front of Aubrey sitting on sofa- 1:01-1:02
Over shoulder shot of Caroline- 1:02-1:03
MS of Aubrey- 1:04-1:05
Long over shoulder shot of Aubrey- 1:05-1:08
MS of Carol- 1:08-1:10
High MS of Aubrey- 1:10-1:10
MS of Carol- 1:11-1:12
LS of Aubrey standing up- 1:12-1:14
Tracking shot of Aubrey walking away- 1:14-1:15
Tracking shot of Caroline walking after her- 1:15-1:17
Tracking shot of Caroline chasing Aubrey up stairs- 1:17-1:18
side MS of Aubrey and Caroline on stairs- 1:18-1:21
Over shoulder MLS shot of Aubrey- 1:21-1:22
Over shoulder MLS shot of Caroline- 1:22-1:25
LS of Aubrey-1:25-1:26
Over shoulder shot of Caroline- 1:26-1:26
Over shoulder shot of Aubrey running up stairs- 1:26- 1:31
Tracking shot of Aubrey walking into bedroom- 1:31- 1:33
Tracking shot of Aubrey packing- 1:33-1:34
High shot of Aubrey packing- 1:33- 1:38
tracking shot of Aubrey- 1:38-1:41
Tracking shot of Aubrey- 1:41- 1:44
Tracking MS of Aubrey running our door- 1:44-46
Tracking high shot of Aubrey running down stairs- 1:46-1:49
Tracking shot of Aubrey putting on shoes and running out door- 1:49-1:52
Tracking behind shot of Aubrey running on road (exterior)- 1:52-1:53
Behind tracking shot of Aubrey running on road- 1:53-1:57
Front tracking Close up shot of Aubrey running- 1:57-1:59
Long shot to Aubrey running- 1:59-2:01
Long behind shot of Aubrey running- 2:01- 2:03
Side mid shot of Aubrey stopping at gate- 2:02-2:04
BCU of Aubrey's face- 2:04- 2:06
Black screen- 2:06- 2:09
Titles
A CONNELL PRODUCTION
HOLLY CONNELL
ANNEKA WILLIAMSON
KATIE DUNNING
UNTAMED
JODIE PETERS
CHARLOTTE ELLIS
AARON ELLWOOD
HARRY FOORD
ELISE BECKETT
CASTING BY OLIVIA TUCKER
MUSIC BY ISABELLE MCCABE
MUSIC SUPERVISOR LISA WISEMAN
COSTUME DESIGNER SHONA EKINS
EDITOR LUCY HOCART
PRODUCTION DESIGNER EMILY SPENCER
DIRECTOR OF PHOTOGRAPHY RICHARD SMITH
EXECUTIVE PRODUCERS NICOLE ROBINSON
SHANE WILLIAMS
PRODUCED BY PETER RODGERS
JORDAN WHITEHEAD
CAROLINE MARDEN
SCREENPLAY BY MILES PETERSON
LIA MARSHALL
DANA HAROLD
DIRECTED BY KEITH BRUSSELL
Untamed Official Website
http://hollyjconnell.wixsite.com/untamed
This is the link to the UNTAMED official website which we created in order to promote our film. We took inspiration from the INTERSTELLER official website as it looked very interesting, displayed both photos and description about the film which would be helpful to the target audience of they wanted to learn more about the film. We therefore modelled out website similarly to theirs.
This is the link to the UNTAMED official website which we created in order to promote our film. We took inspiration from the INTERSTELLER official website as it looked very interesting, displayed both photos and description about the film which would be helpful to the target audience of they wanted to learn more about the film. We therefore modelled out website similarly to theirs.
Evaluation Storyboard
We created our storyboard to express a clear vision of the film opening which we wanted to clearly portray with specific ideas of: camera angles, sound, mise en scene and editing. We stuck to most of the shots which we planned on using such as: when Aubrey was filmed walking down the street late at night drinking from the alcohol bottle and when Aubrey came into the house and proceeded to have an argument with her mother.
There were however, a few shots and scenes that we included that were not talked about on the storyboard such as: When Aubrey was running out the door and away from home and the last shot when she is breathing heavily and the screen goes black.
We did not film the scene that we originally planned on using at the start where Aubrey and Riley were supposed to be holding hands and dancing together at the concert as our desired location and setting was unachievable to film in. We also did not film the scene where Riley and Aubrey met up in the field just as the sun was coming up because when filming, we could not get the lighting quite right and also, the film opening would have been too long if we had included it.
There were however, a few shots and scenes that we included that were not talked about on the storyboard such as: When Aubrey was running out the door and away from home and the last shot when she is breathing heavily and the screen goes black.
We did not film the scene that we originally planned on using at the start where Aubrey and Riley were supposed to be holding hands and dancing together at the concert as our desired location and setting was unachievable to film in. We also did not film the scene where Riley and Aubrey met up in the field just as the sun was coming up because when filming, we could not get the lighting quite right and also, the film opening would have been too long if we had included it.
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